• Chevron - Everything's Exactly The Same

    Reviewed by Sam (tesselate.me.uk)

    <b> Chevron </b> - Everything's Exactly The Same

    'Chevron's LP [ZIQ092] drops on Valentine's day (see, his name is J.Valentine) with a corker of an album containing many of the live classics from the past 2 years.' Lets Chevron it right up..

    "Swimmin Lessons" pops up in front of you and pixelates in and out of focus, jettisoning 8 bit style madness out of every pore like a fountain made of crunchy bits and bytes. It all goes quiet for a little while but only until the distortion star wars project style laser
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  • Julian Fane - Special Forces

    Reviewed by willcoma (tinymixtapes.com)

    Julian Fane - Special Forces

    At first listen, Special Forces sounds like Sigur Ros stepping out of the ether for some bracing piano-driven techno pop. Julian sings like Jonsi and on "Freezing in Haunted Water" he sounds a lot like the high Thom Yorke vocal part in "I Will." This is derivativeness, sure enough, but it's the sort that's tempered with a sonic innovation that wears its Kid A influences in a rolled-up sleeve.

    It seems to me that Kid A should've been more influential. And I'm
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  • Julian Fane - Special Forces

    Reviewed by Matthew Jeanes (brainwashed.com)

    Julian Fane - Special Forces

    I had been wondering when we'd see the first of the post-Sigur Ros releases to emerge. It's been several years since Iceland's finest wowed listeners just about everywhere and I always imagined that the result would be an avalanche of artists trying to recreate the feeling of being swept up in the epic, weepy tones of bowed guitars and reverb-drenched organs. Julian Fane, a 21-year old Canadian solo artist is the fist thing I've heard that immediately and
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  • Julian Fane - Special Forces

    Reviewed by Thomas H Green (telegraph)

    Julian Fane - Special Forces

    The word "ethereal" has been much over-used by music journalists. Yet, since it means variously "light", "celestial" and "airy", there is no better adjective to describe Julian Fane's extraordinary album.

    This is all the more unlikely given that the 21-year-old Canadian takes his lead from avant-garde electronica, a sound often inclined towards abrasiveness. Fane's pieces are grounded in glitchy percussion, but great swathes of strings, indecipherable
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